The Human Condition




The title of the People Brief is The Human Condition, as this is the basis of the project i have used this as a starting point for my research.

The following quote was given to us in the brief:

"It is absurd to divide people into good and bad. People are either charming or tedius" -Oscar Wilde

This supports the view that as far as Photography is concerned, everyone has something to offer to the camera, there is no good, bad, right or wrong.

I decided to research The Human Condition and found it on Wikepedia- although not a reliable source it is a good starting point:

http://en.wikipedia.org/wiki/Human_condition

It makes reference to the experience of being human in a social, cultural and personal context.

This makes me think about some of my favourite Photographers and how they photograph people and for what reasons.

One photographer that inspires me is Sebastiao Salgado- his work is emotive and deep with symbolism although it isnt totally clear whether or not the symbolism was intended.

An example of this is shown in a post i did last semester where i discussed my favourite image:

http://kathrynjefferson.blogspot.com/search/label/History%20of%20Image

Another image i like is:


I think this shows a human in both a social, cultural and personal context there is a sense of allegory in the pose causing us to search for clues as to its true meaning. The clothing and face of the person suggest this is depicting a diverse culture and social setting compared to that of myself, there is a certain enigma about this image.

Although contextually this image by Annie Liebovitz is very different, it is not without meaning.

Photo By Annie Liebovitz taken from: ponygraph.blogspot.com


Photo by Annie Liebovitz of John Lennon and Yoko Ono taken from same site as above

I researched this image futher and found the following:

In this comparatively simple portrait, Leibovitz relies on intimacy for effect. Her aim was to immortalise John and Yoko's deep love for one another. But within hours of taking this photograph John Lennon was shot dead. Distributed around the world as a 'Rolling Stone' magazine cover, the photograph was instantly transformed. It became a memorial to Lennon and a symbol of the vulnerability of human passion.



This made me think about how you capture true love in a photograph and the different emotions on display to the camera are part of what makes us human and certainly what makes humans interesting to photograph.

I am interested in experimenting to try and look at emotion and facial expressions in portraits, not necessarily to show the typical happy or sad face but how a facial expression conveys someones personality- if at all. Some people are naturally more animated than others but if i can make my subjects feel comfortable then hopefully i can convey a sense of their personality.

A Photographer that comes to mind when i think about emotion in a photograph is Jill Greenberg:

Photo by Jill Greenberg


Although the emotion i want to convey is not as extreme as this, this serves as an example of emotion in an image. I also really like the sharpness and clarity in her work- the images seem larger than life and almost pop out of the screen.

Some important factors of the Human Condition are:

Feelings
Emotions
Expressions
Personalities
Behaviour
Language
All of which can be considered as communication of some form, it has been said for some time that the vast majority of communication is non verbal;
Albert Mehrabian’s theory is that Human Communication is split into the following: 7% Words, 38% Tone and 55% Body Language suggesting that over half of communication is non verbal.
After saying this I have now produced a series of 8 images using very little verbal communication, the result that may be expected is that the subjects would appear uncomfortable and may not possess the facial expressions and character that a good portrait should (in my opinion). However, the results in my appear to show a distinct level of comfort and convey the individual personalities.
This would support Mehrabian’s theory and suggest that my relaxed stance, constant smile and body language were enough to put the men at ease and allow them to be themselves, with the addition of a little alcohol!

Candid Photography

Research

Candid photography produces natural unposed images that focus on the spontaneous and un-expected moments. This can be encompassed by many genres of photography such as street and documentary photography and sports which are usually candid anyway, but also weddings and portraits as an alternative to traditional posed images. Here are some examples:



Photograph by Henri Cartier Bresson


When i recieved this brief i thought about the ways i could photograph people, i knew i would be travelling to a few places over the next few months so i decided to make an effort to record the people in each place. One thing that interests me is whether someone would be able to tell that most of the people arent english if it wasnt for their surroundings... The Human Condition is about being human and that to me means that your nationality, colour or country of origin has no bearing on you as a human but perhaps partly shapes your personality.

One thing i noticed straight away that is a common factor is homelessness and beggars on the streets, this is not a reflection of the country but over-all society and can be seen in both Berlin and Poland and all over the world.  What makes an image of a person so interesting to me is trying to capture the personality and story of that person and this could explain why i like photographing homeless people- we already know part of their story .

Berlin

I wanted to practise Candid Photography whilst i was in Berlin, i think its easier to take photographs like this when you are in a foreign or unknown place


F5, 1/160 Sec, ISO 3200

This was in a tunnel in Berlin, i had to use a very high ISO due to the lack of available light

F5, 1/125 Sec, ISO 1000

Although this is candid im not sure it really fits with this part of the brief strictly as it isn't about the cyclist as a person but more about the image as a whole- i feel that a candid shot would usually show the persons face and therfore personality. This is possibly more appropriate as an environmental portrait

F5.6, 1/250 Sec, ISO 2500

F5.6, 1/320 Sec, ISO 2500

As you can see here the settings i used were quite inappropriate, i should have used a much lower ISO and slower shutter speed here but as this was took on the spot i was just trying to get the shot before the girl moved.

F5, 1/200 Sec, ISO 400

I have learnt from all the recent bad weather that photography in the snow can be quite difficult, the snow acts as a reflector for the light and then the darker areas tend to be underexposed.

F5.6, 1/200 Sec, ISO 400

F5.6, 1/200 Sec, ISO 800

At the time of photographing this man i didnt notice the writing on the window...

There were a lot of homeless and people on the streets in Berlin and i found it quite upsetting, it was minus 22 degrees so much colder than it usually gets in England.

F5.6, 1/200 Sec, ISO 800

This photograph was taken whilst i was on a tour bus, it had pulled over for a break and i noticed this lady pouring some water into a cup for her dog to drink. It was so unbearably cold and it brought a tear to my eye to think of how awful it would be to be in that situation. Although the image itself would probably mean nothing to anyone else, to me it is a glimpse of another life- but one that no one would want.

Poland

I also went to Poland and tried have become increasingly interested in street photography since last semester when i took a lot of photographs of people on the streets and underground in London, so whilst in Poland i took quite a few images shooting from the hip- i haven't quite got the confidence to lift my camera to my face and blatantly photograph a stranger, although shooting from the hip does make it more difficult to get a good shot and i have quite a few potentially good photographs with peoples heads cut off- here are some of the more sucessful attempts:

F4, 1/160 Sec, ISO 320
F4, 1/80 Sec, ISO 100

F5.6, 1/160 Sec, ISO 400

F5.6, 1/160 Sec, ISO 400

F5.6, 1/160 Sec, ISO 400

F5.6, 1/160 Sec, ISO 800
F5.6, 1/160 Sec, ISO 1000

F5.6, 1/160 Sec, ISO 1000

All of the above images were shot from the hip, i find it very difficult to lift my camera up to my face and take a photo of a stranger without asking, and thats what candid is all about, So shooting from the hip for me is like a comfort blanket although its harder to get the image you want.

Here are a few images i took whilst i was in London in Camden Town:

F5.6, 1/100 Sec, ISO 500

F7.1, 1/160 Sec, ISO 500

This image to me is quite absurd, the people aren't looking at me, they are watching the huge bubbles being produced by a lady with a wand next to me, but from the angle i am stood they appear to be staring at me, then i notice the woman on the far left looking out of the corner of her eye, its almost comical. I have increased the fill and blacks in the image as it gave it more definition.

F7.1, 1/250 Sec, ISO 500

I also went for a walk around Blackburn town centre with a few others from the course as part of our 321 Group, we all wanted to practise some Candid photography and thought that being in a group of Photographers would help us have the confidence to photograph strangers:

F6.3, 1/200 Sec, ISO 250

F6.3, 1/250 Sec, ISO 400

There were a few of us all photographing these men which had obviously caught the attention of one of them.

F6.3, 1/250 Sec, ISO 400

This man was shouting at us to go away, despite the fact that i took this photograph from the hip and no one else was photographing him, i think he was suspicious of people with cameras.

F6.3, 1/250 Sec, ISO 250

This was taken over the shoulder of one of my friends from Uni, they offered to pretend to pose in order to give me cover and take the photograph- i found this an easier way of photographing someone in a less obvious way rather than shooting from the hip as you cant see what your photographing.

F6.3, 1/250 Sec, ISO 640


F6.3, 1/250 Sec, ISO 640

This man was stood in a shadowed area so it was impossible to expose both his surroundings and him correctly especially whilst he was staring at me.

F6.3, 1/250 Sec, ISO 160

F6.3, 1/250 Sec, ISO 160

F6.3, 1/250 Sec, ISO 160

F6.3, 1/200 Sec, ISO 250

I did find it a lot easier being with other students as we were all practising the same thing and had the protection of the group, although comparing these images to some of the ones i took on my own, i actually think these come across as quite safe and everyday images, there is nothing that strikes me about them.

Corporate Portrait


Research

When i think of a corporate portrait firstly i think of an office with the MD sat behind the desk, this certainly isnt the type of Photography that i find appealing despite the fact that there is money in this field.

Through this part of the brief i would like to try to explore a slightly less cliche side to corporate Photography, this was something that Andy mentioned as an option in the briefing and i think it would be more successful and interesting to try to do a 'fine art' take on the corporate portrait.

I decided to look up some examples of Corporate Photography first of all:


This could be classed as corporate in a sense but it is perhaps bordering more on advertising as the model is in low contrast black and white as opposed to the ring which is in colour to make it stand out.


This is perhaps a typical example of a corporate photograph, a woman dressed in formal office clothing, although the composition is slighlty unusual. This isn't the type of image that inspires me as i would like to produce something a little more personal.
For the corporate portrait i initially thought of doing a 'typical' shot of someone in an office. As i work part-time in a large finance company i would have been able to use one of the directors as a model. On thinking about this i have decided this would be quite dull and its not something i would find particularly interesting or rewarding.

I was asked to Photograph someone for their new business venture so that they can use the images on both the website and the various methods of advertising, i decided to use this as part of my Corporate Portrait research. I offered the client a discount on the price in and in return i will produce both the images they require and some experimental images that i may use for part of my work.

I have booked the studio and will show the images at a later date but in the mean time i decided to research to find some inspiration, both myself and the client have a few ideas but i suggested they find a few images they like and i also do some research and we can possibly try to re-create this and maybe gain other ideas from this.


This is a photograph of Booty Luv a girl band, i like the style of the shot with the black background and also the almost candid style.

Unfortunately the models i were using turned out un-reliable and after cancelling a shoot three times throughout the last 3 months they have said they cant make it until the summer.

I thought about finding alternative models but i have experimented quite a lot with corporate and i would rather focus on an area that interests me more.


Practice

I decided to go into the studio and try a few practice shots. I have booked the Studio for the 12th March when i have a client coming in for a Corporate shoot,  i wanted to make sure i was prepared (especially as they are paying me) so decided to try out a few types of lighting.
Although last semester i experimented with different lighting and modifiers, the subject was a piece of fruit and a bottle so where this gives me an idea of the effect of different lighting setups, the effect will be quite different on people.

Here i will will show the effect of different lighting in portraits.

I already have some examples from last Semester's work which are:

Natural Light


F6.3, 1/40 Sec, ISO 400

This was an image i took in a Studio session with the model and using natural daylight coming through the windows in front of the model, the white backgroud reflecting the light back toward the window, and a gold reflector underneath her to fill in any dark shadows on her face and warm up her skin slightly.

As you can see the lighting is very effective for Beauty shots like this as the flooding of light makes the skin look flawless (this image hasn't been edited).

Daylight & Halogen



F5.6, 1/80 Sec, ISO 800

This was taken in the studio with daylight coming from above and two Halogen lights also, i think this creates quite a cold light not ideal for portraits.


F5.6, 1/50 Sec, ISO 1000

This was an image taken for a group task using a continuous fluorescent light on the right, i wanted a cold feel so it was appropriate for the image and also worked well with still life such as flowers but not something i plan to use for the corporate portrait.

F5, 1/100 Sec, ISO 500

This was a test shot i did in the daylight studio, using natural light from the front in the same setup as the previous images with the model, i think this is quite effective although it is a little cold this can be warmed up in lightroom.

F5.6, 1/200 Sec, ISO 100

I decided to try a different lighting setup and so i used two softboxes on either side of the model using an approximate 45/45 setup. I think this is the most appropriate type of lighting that i have tried so far, this image hasn't been edited and still the models skin looks flawless and the light is very even.

After a Photoshop workshop last week i have been practising and wanted to try to use these skills for this image, here is the edited version:

F5.6, 1/200 Sec, ISO 100

I am really pleased with the result, i think its probably easy to tell where i have edited this to a 'trained' eye, but for my first attempt at 'airbrushing' i think it works very well. This was only a test shoot but i have learned a few things from doing this that i will put to practise when i do my Corporate shoot.

I also tried another idea, which was a different twist on the idea of a corporate image:

F5.6, 1/200 Sec, ISO 100

I like this image although it may not be classed as corporate this was just some experimenting, i do think i may have gone a little too far with the 'spray tan'!

2nd March

I got a call from a business looking for some corporate portraits after seeing my Facebook business page, they wanted images of the directors and also some of the staff. I thought these images would be perfect examples of my  Corporate Portraits.


The client wanted 'typical' posed images including the directors at their desks and in the board room, i found it quite difficult to Photograph people in this environment as it was certainly a first for me! It was very formal and at one point they had a business meeting but asked me to Photograph them whilst they were talking.


I think this was an invaluable experience for me as although i work in an office and therefore corporate environment, i learned a lot about what is required with this type of Photography.


Luckily i had borrowed the flash from Kevin so still had this with me to do the job, i found it quite problematic because i had little experience in using this equipment. I practised at the weekend but still couldnt get used to the functions it offered and as this was a last minute job i didnt have time to prepare.

When i arrived i was asked to take photographs of all the staff both individually and in groups, and also photograph the directors together in a meeting and also seperately both posed and un-posed. The images are going to be used on the companies new website and some may be used in the booklets, leaflets and advertising campaigns in the future, no pressure for my first ever paid job as a Photographer then!


Here are some of the images i took:


F5, 1/100 Sec, ISO 800

This was one of the first images taken during the meeting, it was difficult to get a good shot where the mens faces were all reasonably expressive with no one blinking. I think this shot looks quite professional and hopefully will be what the clients were looking for.

Another challenge was that with them being in the middle of a meeting i was unable to give direction on the pose or position of the men so simply had to make the most out of what was in front of me. Once i had finished photographing them i had stand and wait for them to finish the meeting which i thought was quite uncomfortable. This isn't the type of Photography that i enjoy doing, i found it hard to relax and make the person i was Photographing feel comfortable but i think with confidence in my ability that will improve.

F5.6, 1/100 Sec, ISO 800

F5.6, 1/100 Sec, ISO 800

F5.6, 1/100 Sec, ISO 320

F5, 1/100 Sec, ISO 320

F5, 1/100 Sec, ISO 320

All in all i feel that both the shoot itself and the images are quite banal but i understand that they serve a purpose and most importantly they are what the client wanted for their website.

I found it difficult to get a shot that i was happy with because the clients had a clear idea of what they wanted and they didnt respond to direction even when i assured them it would get a better result.

Although this type of Photography doesn't interest me it has helped me to see some of my weak points and things that i need to improve on. The main things in my opinion is building my confidence to photograph people- which will only come from practice and experience, and learning how to make the best out of the available light. So i plan to buy a flash gun and read the manual firstly, and i think by reading many of the books i already have this would definitely help
improve my skills for now.

Another Corporate Shoot

I was asked by a local building firm to produce some Corporate images for them to use on their website and advertising.

Using two large softboxes to create a soft natural light i produced several images that the client was very pleased with, below are the edited photographs.




F4, 1/100 Sec, ISO 100

This shot was taken with my lens set to a wide angle of 17mm so the model looks slightly odd in that his head looks very small and the bottom half of his body appears to dominate the frame, i may just be being picky here though as the client was more than happy to use the shot on their website.


F4, 1/100 Sec, ISO 100

F4.5, 1/100 Sec, ISO 100
F4.5, 1/100 Sec, ISO 100

The lighting here looks very uneven, i think this is because the model has moved forward and closer to the camera and softbox so there is not enough light around the front and instead mainly on the right hand side.

F4.5, 1/100 Sec, ISO 100

F5, 1/100 Sec, ISO 100

F4, 1/100 Sec, ISO 100
F4, 1/100 Sec, ISO 100


F5, 1/100 Sec, ISO 100

F5, 1/100 Sec, ISO 100

I wanted to see what these images would look like de-saturated, i like the above image although its probably not something that would be used in a corporate sense or for web and marketing use.

F4, 1/100 Sec, ISO 100

F5.6, 1/100 Sec, ISO 100

This image has been edited by increasing the fill and blacks in LR, some people have said they dont like this effect but on certain subjects i like the painterly quality that it gives an image, although it wouldnt be appropriate for everything.

I have learnt a few things from the Corporate portraits, although i have found that its not something i would want to do for a career. Saying this though, it may be something i have to do to earn the money for the things that i am passionate about.